Agenda Magazine Introduces Lita Cline as the Face of Their Paper Doll-Themed Issue, Styled by Ty-Ron Mayes and Photographed by Udo Spreitzenbarth.
AGENDA’s Editor in Chief Kaylene Peoples teams up with celebrity stylist Ty-Ron Mayes (Fashion Whisperer) and Photographer Udo Spreitzenbarth for this eye-popping New Years issue, featuring model Lita Cline, wearing the hats of Anat Fritz! Also featured are designers Victor (Vivi) Bellaish, Shai Shalom, Kobi Halperin; and the backstories of the paper dolls BrookLynn and the new collectible, Couture Paper Dolls by Glenna Gaffney.
AGENDA Cover Model Lita Cline (Photographed by Udo Spreitzenbarth, Styled by Ty-Ron Mayes, Editor in Chief Kaylene Peoples
January 10, 2022, Los Angeles, CA
Agenda, the multicultural fashion and lifestyle magazine, does it again with another packed issue. Inside the 147 pages includes viscerally beautiful photography by Udo Spreitzenbarth in the Queen’s Gambit-themed fashion editorial titled “Queen of the Night,” styled by Agenda’s Fashion Whisperer Ty-Ron Mayes. The unique beauty of Lita Cline is captured wonderfully as she models the crocheted hats from designer Anat Fritz. Fritz’s crocheted collection had long been in luxury boutiques and department stores throughout Europe well before the costume designer for Queen’s Gambit used her green hat to “. . . crown Anya Taylor-Joy’s head in that pivotal scene.”
Ty-Ron Mayes styled the shoot with designs & accessories from Calvin Klein, Rachel Zoe, Marc Jacobs, DKNY; and cosmetics by L’Oréal. Lita Cline’s eyes were made bigger than life with L’Oréal’s Infallible Eye Liner and Air Volume Mega Mascara. Ty-Ron Mayes also served as the editor on the shoot and did hair and makeup via Paper Faces, using Derma Blend Cosmetics.
Agenda’s January 2022 Issue #17, titled Couture Paper Dolls features Designer/illustrator Renaldo Barnette (by Black Design Collective), the creator of BrookLynn Paper Doll and comic book.
As a young child, Renaldo read every fashion publication he could get his hands on, but as early as he can remember, his first love was comic books and comic strips. As he pored through Millie The Model, Patsy & Hedy, Katy Keene, Betty & Veronica; Brenda Starr, Mary Perkins, Friday Foster, and Winnie Winkle, he was amazed by the illustrations. He credits these comics for showing him how to draw fashion. And in the case of Millie The Model and Winnie Winkle, he discovered that fashion was a real business.
“I always wanted to see a comic book about a Black fashion model. I remember seeing Millie the Model’s friend Jill in 1966. She was one of the first Black characters in the Marvel Universe. And she was a Black fashion model from England. When I saw model Gayle O’Neil [in the mid-late 80s], I thought she looked like a doll, thinking she could be like a comic book. I had been toying with that idea for decades, and ten years ago, I gave her the name ‘BrookLynn’.”
“I am a recent collector of paper dolls. When I first moved to New York I had one paper doll book and the other a paper doll set. I had two published through Western. One was a bridal paper doll set, like a box set, and the other one was called Rock Stars. Those were two freelance jobs that my friend, the late great Bob Rausch, got me when I was in between jobs back in the late 80s.
Barnette talks about his favorite concept for his first BrookLynn Paper Doll book:
“It’s the makeover concept of how this plain school girl can be made over, like the way Audrey Hepburn was made over in Funny Face or Sabrina. Or the way Bette Davis was made over in Now Voyager. I don’t care about the height or size, if you find clothes, a great hairdo, and nice makeup, it can turn an ordinary person into the best-looking person they can be. And I’ve always liked that. It’s not just about being pretty, it’s about looking better.” —Agenda, Renaldo Barnette – Designer, Illustrator, & Creator of the BrookLynn Paper Dolls and Comics @itsallaboutbrookLynn
Artist Glenna Gaffney has created a new style of paper doll that she calls “Couture Paper Dolls.” Her collection ranges from “Fly Mom,” her Mewsick line with Prince/ Michael Jackson Inspired to her latest collection spurred by the 2021 MET Gala. What’s different about these dolls? They are not the traditional paper doll. Housed in a shadowbox, these dolls are dressed in Swarovsky crystals, sequin, feathers with intense bejeweling and meticulous hand-crafting right down to the hair, which is deceptively made from paper bags. Gaffney crafts her dolls to be one of a kind, and they are definitely couture-like. Each doll comes with a Certificate of Authenticity, and no two dolls are identical. Here she talks about one of her Couture Paper Dolls
“Emerald Faye –Inspired by the girl who appreciates a long gown, dressing up elegantly and going to a social event. She strolls into her event with Swarovski crystal “blinging,” long hair flowing, making a gem of an entrance. The clothing is designed by Isaac Pineda. My desire is to work with different designers. I love collaborations, and Isaac Pineda is my first CPD collaboration. Isaac created the pattern and selected the fabric. I incorporated his vision with mine . . . and Emerald Faye was birthed from this process.” Agenda, Couture Paper Dolls by Glenna Gaffney – A Fashionable Collectible for the ‘Grown Up’ Little Girl! (couturepaperdolls.com)
In the column, Fashion Talk, Kaylene Peoples does a historical retrospective of the history of the paper doll . . .
“One of the first instances of a doll made of paper was a Jumping Jack or a Pantin, where it originated in France in the 1700s. These dolls wore the high fashion of that time with only one outfit. So no changing the clothes. Like puppets or marionettes, they were created originally to mock the rich. At the end of the 1700s, fashion companies in Europe, particularly Paris, saw a huge opportunity to advertise their fashion through paper dolls, which started the practice of changing these dolls’ outfits. During this period, there were major advancements in printing technology, making mass production of these “newer” paper dolls accessible to more people at an affordable cost.
I am a grown woman, but I guess I will always have inside me that little girl who loves to play with dolls. As a Barbie collector, I have a new (micro) collection of paper dolls, and I want to explore more vintage paper dolls and cutouts. I discovered there are countless books with paper dolls available today that are very recent publications with fashion throughout history: First Ladies with Michelle Obama, Jackie Kennedy, Nancy Reagan; famous designers from Christian Dior to Valentino; Royal Brides from Meghan Markle to Kate The Duchess of Sussex; dancers, iconic celebrities, even torch singers. There were not as many superhero paper dolls as I had expected, but they do exist, mostly as collectibles . . . and trading paper doll cutout comics is a really big thing I learned. Comic Cons and various conventions around the world are where one can find these rare vestiges.”—Agenda, The Evolving Paper Doll, Proving that Everything Comes Back in Style
Born and raised in Israel, Kobi studied and received his B.F.A from Shenkar College of Engineering and Design. Upon graduating, Kobi moved to New York where he became the Executive Creative Director at Elie Tahari for 13 years and the Executive Creative Director at Kenneth Cole Productions for 3 years. Inspired by his Eastern European roots and heritage, Kobi’s collections are marked by a warm feeling and handcrafted touch and workmanship that create a distinguished yet welcoming style aimed at “elevating the everyday”.
A graduate of the Shenkar College of Engineering and Design, Shalom’s apparel is marked by meticulous tailoring and a keen eye for combining bright colors and materials. His designs cross a wide range of fine knitwear, sophisticated, slim-cut suits, cropped trousers and modern boat jackets.
Victor VIVI Bellaish:
The inspiration of the collection was tropical birds, mainly the Hoopoe, Israel’s national bird. Bellaish is fascinated by the bird’s feathers as a design element: the shape and structure composing a spectacular visual performance, which, accompanied by the silhouette, provides a feeling of uplifting flight. The collection stems from his journey researching textile history. Spirits of feminine strength and liberation beat at the heart of the collection, which is the product of a unique collaboration of the designer with Kornit Digital, which specializes in developing and creating systems for textile digital print.
AGENDA ISSUE 17 Table of ContentsAgenda magazine (www.agendamag.com) has been telling the story behind the story since 2004, continuing that dialog in its 17th year. And after 7½ years in print, the luxury magazine continues to publish coffee table keepsakes with engaging content and breathtaking photography. The January 2022-Issue #17, “Couture Paper Dolls,” is a 147-page glossy, and is available digitally and in print worldwide. Agenda is a KL Publishing Group publication. Visit www.agendamag.com/shop for more information. Social Media: Facebook, Twitter, Instagram
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